Pipes.

This is a tiny bit more impressive than it looks. This is because it was shot with my digital still camera, handheld, by my pal Luke.

So before doing the silly obvious effect involving me and this portion of the Alaskan Pipeline, the footage first had to be stablised using the generally excellent motion tracking bits of After Effects. I blew the image up to 720x 480 to work, then compressed it back down to its native 320x240.

And the whole reason this thing came about is because in the commercial for my show, Around the Boards, which was shot entirely with my still camera's video mode, I wanted to be doing something improbable.

 

Other small effect demos:


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